Bandai


So, AX08 has come and gone. Now the dust has settled and the lines are drawn… or something like that. Though, what came of this years AX, is the fact that Funimation has become the biggest anime distributor in region 1, with Bandai Entertainment not far off. We had some exciting licenses, Hayate no Gotoku, Alice Gakuen, Spice and Wolf, Wagaya no Oinari-sama, and a lot of other stuff. Also, Gundam 00 will be getting a TV run on Sci-Fi this fall. 

Sadly, ADV seems to be limping from the devastation wrought by Sojitz pulling out of their deal. Still, ADV claims to have some new licenses in the works, so they aren’t exactly out of business yet.

Now, we wait to see what Otakon has in store for us.

So, for the past month or two, Bandai Entertainment USA has kicked off “Nebula Project ‘08”. Through Nebula Project, BEI has considerably raised their standing in the R1 anime market. They effectively rescued Gurren Lagan after ADV lost the rights to it, licensed Gundam 00, changed over to collections instead of singles for their releases, got Gurren Lagan on Sci-fi channel, absorbed their sister company (Bandai Visual), and licensed Sword of the Stranger.

That’s not to mention the source code opera that the webmaster and fans seem to be having fun with. The webmaster himself interacts with the AoD community by referencing things said in the discussion threads about BEI.

BEI has managed to take a step up this year. Seeing as how the Nebula Project is far from over, I can’t wait to see what else they have in store for us.

According to ANN, the Haruhi manga has been licensed by Yen Press. This is pretty good news. Now, hopefully, we will see someone bring over the novels.

In other Haruhi related news, the ASOS Brigade website has updated again. This time with more of the cryptic source code messages. It seems that something will be announced soon. Though it’s still up in the air if it is a Haruhi related announcement, or just more Kadokawa and Bandai Entertainment announcements (see: the announcements for “Lucky Star” and “The Girl Who Leapt Through Time” )

So lately, Bandai Visual has been on the bad side of fandom (not to mention some retailers). It amazes me how BV became such an hated company in such a short time, when they started out as a company that many fans loved for the care they gave their products. First they scorned the Gunbuster fans by removing a song that they feared would infringe on some other copyrights. Now they’ve begun this wave of high priced releases. Yet I think that there is a certain strategy behind their madness.

Their releases of “old-school” movies at first, such as the first two Patlabor movies, were expensive, but worth it to most fans for the quality of these older movies. However, when BV announced the plans for Gunbuster 2 (along with two other OVA series) to be a three disc release two episodes each for $40, many fans became outraged at this, but others saw that they were still getting a better deal than the Japanese fans (admittedly, it’s not that much better).

Then BV announced their “Same day” plan as I will call it. As I understand it to be, the plan is to release shows on DVD on the same day in both Japan and NA. The release will be the same in Japan and NA. Basically, they are releasing R2 grade disc, with English subtitles in both NA and Japan on the same day.

Sounds great, right? That’s were pricing comes in. The releases, being the same thing in both regions, on the same day, will be priced the same as an Japanese style release. That means $20 for a one episode volume (Galaxy Angel Rune), and volumes with two-three episodes each for (I’m assuming based on the prices I’ve seen for past R2 discs) $40-70 each.

There haven’t been too many TV series announced to be released by BV. The only ones that come to mind are Galaxy Angle Rune and Engage Planet Kiss-Dum. Think about these two for a minute. They aren’t very popular shows. The reception was cold on both sides of the Pacific.

People worry that their favorite series may get released by BV over here in NA. But all BV has picked up so far are unpopular shows that will be hard to sell. These are shows that the American companies probably passed on. In some sort of twisted Japanese Executive logic, they may think that they can just cut cost and release it themselves sub-only in NA, and maybe make some small profit over here.

What I’m getting at, is that BV might not go for the heavy hitters like Gundam, Code Geass, etc. They will license those out to Bandai Entertainment, or any of the other big distributors. They may think they could make a little more that way. The only thing they will (theoretically) release over here are the so-called “bombs” and “duds” that nobody else wants.

I don’t know. I really don’t, as BV seems to be a very “special” company. We’ll just have to wait a year and see if my theory holds true.

 

First off, Haruhi season 2 was announced! Unfortunately, the animation will be handled by C&S, the same studio responsible for Gundo Musashi, and directed by Mitsuo Fukuda, with character designs by Hisashi Hirai. Kadokawa officials were unavailable for comments.

 

In other news, JAM Project will be signing the opening and endings to the new, hot-blooded Kyo-Ani epic “Lucky Star”. Lead signer Hironobu Kageyama reported that it will be their “most hot-blooded, intense, song ever!”

 

Speaking of Kyo-ani, after the series “Lucky Star” is completed, Kyo-Ani will go out of business. Anecdotal reports from Japan say that the OVA quality animation cost so much that they needed more revenue, but due to American fansubers, they lost every yen they had, and couldn’t feed their children. In bloging news, Impz has renounced his hatred of Mech and Shonen anime. He reported that he has already amassed a collection of Gundam models worth $2000, and has Naruto’s portrait plastered around his house.

Lastly, I will be changing the focus of Moe Union. While I still love anime, I have been convinced by many commentators that I have a need for Viagra and flowers for my non-existent girlfriend. This is what I feel I must focus on.

Good night, and good luck…

Ever since the page came up in mid December ‘06, I’ve been checking the page every day, and enjoying it. It’s been it the back of my head for sometime now, but I really just realized it lately. I’m enjoying an ad. Though, it’s a very good ad.They are reaching out to the fans, and not chastising said fans for having seen it through fansubs. To be fair, they have made comments on the subject, but it’s light hearted in nature, and very much unlike the past attempts at vilifying the fansubers (viewers and groups).

They include in-jokes for both Haruhi fans in general, and the posters at the AoD.com forums. The site is intentionally amateurish looking. This is very good for the fans, but the question remains, will it bring in the mainstream people who find the site by way of ANN or other such sites where the mainstream anime community (if it can be called that).

I personally speculate that the answer will be yes and no. The “Joe Suncoast” of the world will not get it at all, and will be turned away. However, there will probably be some of the “mainstreamers” that find their curiosities peaked, and will rent or blind buy the title out of said curiosity.

Bandai is taking a small risk with the marketing scheme, and it’s one that I think will pay out in the end for them and Kadokawa. The already existing fanbase has been drawn in (and will probably stay, barring any “Mai Hime” size goof-ups), and they are generating other customers through curiosity. Those who are turned away by things like the design of the site, or the coyness of the announcements wouldn’t like the series anyway.

Good Luck Bandai/Kadokawa, don’t mess it up…

So there’s some trouble with the R1 release of Gunbuster. It seems that a piece of background music during a pivotal scene in the story was changed. Bandai Visual claims that it was because the piece of music was similar to “Chariots of Fire” or some such. Paranoia, pure and simple. However, it’s only a two minute scene.

I really don’t care, and I will be buying this release ASAP. I’ve been waiting for years upon years to actually see this classic OVA. Don’t get me wrong, I don’t like supporting edited material. I don’t buy stuff from viz like Zatch Bell (Konjiki no Gash Bell), or the Zoids series (well, I did buy a few copies of NC0 at Big Lots). However, there are times where I understand that it was a necessary choice. Bandai Visual is a very small company. If they were to be sued because of this, guess what, we probably wouldn’t see a Gunbuster release for a while. The rights would be tied up because Bandai Visual would be bankrupt due to the legal battles. Personally, I’m willing to sacrifice the two minute piece of music in order to see this released in R1, and to see BV stay afloat.

Really, let’s put this into perspective. It’s a two minute piece of music. The scene itself is still there, with a different piece of music from the OST. This is not a One Piece or even a Dangaioh (just Google it) we are talking about. The show is not some hack job. From all accounts, it is a very competent release. On the other hand, it was sneaky and wrong that BV would try to hide this fact from us. Those who are mad about this have every right to be mad. I respect their opinion, but they also have seen Gunbuster before, so they have access to the “unedited” version anyway. I not trying to justify BV’s paranoid decision. I’m just trying to be rational.